`
The artiÂcle disÂcusses the chemÂiÂcal nature of olives and olive oil, highÂlightÂing the imporÂtance of bioÂmolÂeÂcules in deterÂminÂing the color, taste, and smell of the oils. It also explains how to meaÂsure the acidÂity of olive oil using a titraÂtion method and demonÂstrates varÂiÂous tests to conÂnect chemÂiÂcal comÂpoÂnents to the taste and propÂerÂties of the oil, such as bitÂterÂness and antioxÂiÂdant qualÂiÂties.
The olive proÂvides a culiÂnary landÂscape in which an appreÂciÂaÂtion of the unique chemÂiÂcal nature is a key to real underÂstandÂing. The chemÂiÂcal strucÂture of the natÂural bioÂmolÂeÂcules of the olive can be related to the develÂopÂment of the charÂacÂterÂisÂtic color, taste, and smell of the oils. These unique bioÂmolÂeÂcules give rise to the idenÂtiÂfiÂcaÂtion of olive oil as the healthy oil.
The growth in the global marÂket for olive oil and the regional expanÂsion of proÂducÂtivÂity have necesÂsiÂtated the draftÂing of new interÂnaÂtional stanÂdards to proÂtect the conÂsumer and preÂvent fraudÂuÂlent oils from getÂting to marÂket.
The body of the olive oil lies in its comÂpoÂnent triglyÂerides, which are fatty acids bound to glycÂerin. Free fatty acids (FFAs) are natÂural degraÂdaÂtion prodÂucts of these triglycÂerides. The major FFA in olive oil is Oleic acid (named after the Oleo europa tree). While it can be very hard to taste the difÂferÂence between olive oils of difÂferÂent FFA conÂtent due to the fatty acids themÂselves, a high acid conÂtent is usuÂally assoÂciÂated with other negÂaÂtive charÂacÂterÂisÂtics such as improper hanÂdling or storÂage of the olives prior to pressÂing. The cost of the oil will be deterÂmined in part by whether it is clasÂsiÂfied as an extra virÂgin (less than 0.8% FFA) or virÂgin (less than 1.5% FFA).
The stanÂdard analyÂsis for free fatty acids (FFA) is a titraÂtion with a stanÂdard base comÂmonly known as lye (sodium hydroxÂide-NaOH). In a proÂfesÂsional analyÂsis lab, the FFAs are extracted from the oil using a mixed solÂvent of equal parts ethanol and diethyl ether, the fumes of which are noxÂious and flamÂmaÂble. We will demonÂstrate how to meaÂsure the acidÂity using a simÂpler reagent to give a qualÂiÂtaÂtive answer as to whether the oil met a cerÂtain stanÂdard. Briefly, the reagent uses a pH indiÂcaÂtor in a soluÂtion conÂtainÂing a known amount of NaOH. When the amount of FFA is greater than the amount of base, the indiÂcaÂtor changes color.

Figure 1: Alizarin Yellow test on oils with increasÂing conÂcenÂtraÂtions of oleic acid. From left to right, 0%, 0.50%, 1.0%, 1.5%, 2.0%, 2.5%, 3.3%. The reagent was choÂsen to test for 1.5% oleic acid, explainÂing the color change beginÂning at tube 4.
Taste is one of the qualÂiÂties of olive oil that is most imporÂtant yet difÂfiÂcult to quanÂtify. Experts in the make-up of olive oil know the relaÂtionÂship between speÂcific comÂpoÂnents and the taste and propÂerÂties of the oil. To visuÂally conÂnect a chemÂiÂcal meaÂsure of these comÂpoÂnents to the taste, we have develÂoped sevÂeral simÂple assays that demonÂstrate the presÂence or absence of imporÂtant conÂstituents of the oil. We’ve related these tests to the flaÂvor and cookÂing propÂerÂties of the oil.
One of the more conÂtroÂverÂsial aspects of the flaÂvor of olive oil is its bitÂterÂness. During a workÂshop in Turkey, we witÂnessed quite a debate between traÂdiÂtionÂalÂists, who do not think that oil should be bitÂter, and high-end oil proÂducÂers, who were proud of the bitÂterÂness of their oil. The bitÂter and astrinÂgent comÂpoÂnents are priÂmarÂily polypheÂnoÂlic comÂpounds derived from hydroxÂyÂtyÂrosol, which is made from one of the basic amino acids, tyroÂsine. Other comÂpounds includÂing flavonoids such as taxÂiÂfolin and luteÂolin add depth to the flaÂvor palette. All of these comÂpounds are quite active antioxÂiÂdants, which accounts for some, but not all of their health benÂeÂfits.
The antioxÂiÂdant qualÂiÂties of olive oils can be demonÂstrated by using a dye known as Prussian blue. The chemÂistry at work here is the same chemÂistry that was used half a cenÂtury ago in the proÂducÂtion of archiÂtecÂtural blueÂprints. A mixÂture of iron salts responds to the presÂence of an antioxÂiÂdant to proÂduce the deep blue colÂorant, nicely demonÂstratÂing the activÂity. While this does not allow us to disÂtinÂguish fine difÂferÂences, it does show the difÂferÂence between oils with antioxÂiÂdants (olive oils) and withÂout (such as seed oils).

Figure 2: While minÂeral oil (tube 1) and most nut oils such as sunÂflower oil will not react, good qualÂity olive oils should test posÂiÂtive to proÂduce a bright blue color (tubes 2 – 5). Here, an olive oil made from wild rather than culÂtiÂvated olives, tube 4, proÂduced the deepÂest blue color.
The preÂdomÂiÂnant yelÂlow color of olive oil is largely due to lutein, while β‑carotene lends an orange hue. Greener olive oils conÂtain molÂeÂcules from the chloroÂphyll famÂily. Normally, quanÂtiÂfyÂing the color requires a specÂtrophoÂtomeÂter, but the basic funcÂtions of this expenÂsive instruÂment can be mimÂicÂked by an iPhone, with an app such as Irodori, to meaÂsure the Red/Green/Blue (RGB) conÂtriÂbuÂtions to the color of the olive oils. A photo is taken with the iPhone, and the proÂgram breaks it down into color swatches. The user selects the most charÂacÂterÂisÂtic color for analyÂsis and the RGB conÂtriÂbuÂtion (transÂmitÂted light) for that swatch is reported. A meaÂsureÂment like this needs a backÂground conÂtrol. Each photo was taken under idenÂtiÂcal illuÂmiÂnaÂtion conÂdiÂtions, with the same volÂume of soluÂtion, and a white backÂground.
One other feaÂture of our panel of simÂple demonÂstraÂtions of the chemÂistry of olive oils is the interÂacÂtion of the oils with laser lights. We show how simÂple laser pointÂers can illuÂmiÂnate some of the finer feaÂtures of the chloroÂphyll-conÂtainÂing greener oils.
One of the more rewardÂing aspects of being a chemist is the abilÂity to get a deeper underÂstandÂing of mateÂriÂals we encounter every day. Olive oil is a great examÂple of an everyÂday subÂstance that looks wonÂderÂfully comÂplex when you see what it’s made of. Knowing the makeup also lets us relate our gusÂtaÂtory enjoyÂment with the healthÂful results of our conÂsumpÂtion.