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The Give and Take of French Cultivars

By Pablo Esparza
Sep. 10, 2019 13:20 UTC
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France Olive, the inter-pro­fes­sional asso­ci­a­tion of the olive sec­tor in France, is work­ing to com­mu­ni­cate the diver­sity of fla­vors and par­tic­u­lar­i­ties of French olive oil pro­duc­tion, with pres­i­dent Laurent Bélorgey empha­siz­ing the coun­try’s progress in olive oil pro­duc­tion over the years. France is the sixth-largest pro­ducer of olive oil in Europe, with the adop­tion of pro­tected des­ig­na­tions of ori­gin help­ing to pre­serve the unique cul­ti­vars of the coun­try, although chal­lenges remain in increas­ing pro­duc­tiv­ity and sup­port­ing small-scale pro­duc­ers.

“France is not nec­es­sar­ily known as an olive oil-pro­duc­ing coun­try, so we have a big job ahead and that’s the work we do at France Olive. We com­mu­ni­cate about this diver­sity of fla­vors and par­tic­u­lar­i­ties of the French pro­duc­tion,” said Laurent BĂ©lorgey, pres­i­dent of France Olive, the inter-pro­fes­sional asso­ci­a­tion of the olive sec­tor in France.

It really is still a mys­te­ri­ous tree. That gives it its charm and some­times makes it irri­tat­ing.- Laurent BĂ©lorgey

Previously known as Afidol, the orga­ni­za­tion recently changed its name to mark its 20th anniver­sary and also as a way to ​“give it a clearer name to face future chal­lenges.”

Olive Oil Times met Bélorgey at his estate, La Lieutenante, at the Vallée des Baux de Provence, in the South of France.

“The sit­u­a­tion of the pro­duc­tion of olive oil in France is rather good now. But we must know that we have come a long way for this. We had some very bad har­vests that posed a risk to the pro­duc­tion. But the last two years we’ve had pretty good har­vests and now we have a sat­is­fy­ing level of pro­duc­tion,” he explained.

​“We had a pro­duc­tion of around 6,000 tons last year, and this year we achieved the level of 5,500 tones,” he added.
See Also:The Best Olive Oils from France
France is the sixth-largest pro­ducer of olive oil in Europe, after Spain, Italy, Greece, Portugal and Cyprus, accord­ing to fig­ures pro­vided by the International Olive Council.

Following the exam­ple set by the wine sec­tor, olive oil pro­duc­tion in France adopted the sys­tem of pro­tected des­ig­na­tions of ori­gin — or Appellation d’Origine Protegée (AOPs), by the mid-90s.

Since then, eight des­ig­na­tions of ori­gin were cre­ated, cov­er­ing almost every region along the French Mediterranean coast.

The size of those pro­tected areas varies from the 16 vil­lages included within the lim­its of the Vallée des Baux — one of the small­est pro­tected areas — to the 434 belong­ing to the AOC of Provence.

“We often say that there are some 20,000 olive pro­duc­ers in France. Nevertheless, that fig­ure ranges from the small pro­ducer who has just a few olive trees in his gar­den and who takes his olives to the local coop­er­a­tive, to the pro­fes­sional who cul­ti­vates 20 or 30 hectares. However, most of the pro­duc­ers own small prop­er­ties. There are few pro­duc­ers with more than 50 hectares. The major­ity has an aver­age of 10,” BĂ©lorgey told us.

Olive trees at La Lieutenante (Pablo Esparza for Olive Oil Times)

France’s bid for its AOPs turned out to be one of its olive oil’s main assets — as it helped the coun­try to pre­serve the par­tic­u­lar­i­ties of its cul­ti­vars.

However, this sys­tem also brought some of the sector’s key chal­lenges.

“There are over 20 pro­tected local vari­eties in France. But those cul­ti­vars are not nec­es­sar­ily the most pro­duc­tive,” Bélorgey explained.

“The main chal­lenge for an olive oil pro­ducer in France is to make those local vari­eties pro­duc­tive enough. We need to get the most out of them so that the pro­duc­ers can make a liv­ing out of their pro­duc­tion.”

Bélorgey believes that it is pos­si­ble to dou­ble the cur­rent aver­age pro­duc­tion of 250 liters of oil per hectare in France.

“It’s not a mat­ter of reach­ing indus­trial pro­duc­tion lev­els. It’s just about bet­ter accom­pa­ny­ing the pro­duc­ers in terms of train­ing about prun­ing, about water­ing, about fer­til­iza­tion, and also fund­ing research,” he said.

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France’s olive oil pro­duc­tion suf­fered a severe set­back in 1956 when a mas­sive frost killed most of the country’s olive trees.

Apart from explain­ing why it’s hard to find old olive trees in most parts of the coun­try, the big frost forced France, as Bélorgey put it, to ​“to restart from scratch.”

Laurent Bélorgey

After a long period, the gov­ern­ment imple­mented a relaunch plan in the ​’90s aimed to recover the olive oil pro­duc­tion. Some 10,000 hectares were planted dur­ing those years, allow­ing the sec­tor to look at a brighter future.

“Today, all those trees that were planted within the frame­work of the relaunch plan should be fully grown and increas­ing pro­duc­tion,” Bélorgey said.

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When asked about his per­sonal expe­ri­ence as an olive oil pro­ducer, BĂ©lorgey made a clear dis­tinc­tion between his role as pres­i­dent of France Olive and his role as owner and man­ager of La Lieutenante.

His estate of 48 hectares of olive trees is in the flat­lands, south of the nat­ural park of Les Alpilles, at the Vallée des Baux, in the heart of Provence.

His 13,000 olive trees pro­duce oil that won a Gold Award at the NYIOOC World Olive Oil Competition in 2019 and 2017.

“My estate is pretty aver­age within French pro­duc­tion. We have a big vari­ety of cul­ti­vars and that allows us to blend all those cul­ti­vars and get the fla­vor we love,” he said.

Bélorgey came back to Provence — and to olive oil pro­duc­tion — after his father passed away in 2001.

“Before I used to work in finance at a bank in Luxembourg. Then, I decided to take charge of the fam­ily estate,” he said.

“What is really fan­tas­tic about the olive tree is that we actu­ally don’t know it. So every year it’s a sur­prise because we don’t know what kind of har­vest we are going to have. It really is still a mys­te­ri­ous tree. That gives it its charm and some­times makes it irri­tat­ing.”


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